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Search results: Deutsche HM

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194397111729

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
Musica Antiqua Latina, Coro da Camera Italiano
Giordano Antonelli

Composers

Bononcini, Antonio Maria (1677-1726)
Colonna, Giovanni Paolo (1637-95)
Corelli, Arcangelo (1653-1713)
Frescobaldi, Girolamo (1583-1643)
Handel, George Frideric (1685-1759)
Kerll, Johann Kaspar (1627-93)
Pasquini, Bernardo (1637-1710)
Scarlatti, Alessandro (1660-1725)

Works

anon.: Alma Redemptoris Mater
anon.: Ave Maris Stella
Handel: Haec est Regina virginum, HWV 235
Handel: Te Decus Virgineum, HWV 243
Publication date: 2020-02-14
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190759645628

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 695
For the world premiere recording (2016) of Antonio Salieri's (1750-1825) comic opera La Scuola de' Gelosi, Werner Ehrhardt and his ensemble l'arte del mondo received fantastic reviews. In their new recording, the ensemble once again presents a world premiere recording of an early masterpiece by the 21-year-old Salieri, which was also acclaimed throughout Europe, but unfortunately passed into near-oblivion. The comic opera 'La Fiera di Venezia' was premiered on January 29, 1772 in Vienna. As a masquerade full of humor, the opera takes the listener into the joy of Venice's Ascension fairs. Until 1796, these were a big celebration with masks and parades. Among the approximately fifty operas that Salieri composed, 'La Fiera di Venezia' stands out not only by it's amusing setting, but also musically. Salieri's art of orchestration and instrumentation is extraordinary, which constantly emphasizes individual instruments, combining them with the voices of the singers. Even Mozart was so enthusiastic about 'La Fiera di Venezia' that in 1773 he composed piano variations on a duet from the second act. This duet Mio caro Adone forms one of the many highlights of this world premiere recording. 'La Fiera di Venezia' is Salieri's second opera, presented by Werner Ehrhardt and l'arte del mondo in an opera-excavation series realized since 2010 with the support of Bayer Kultur and in coproduction with WDR.

L'arte del mondo, Natalia Rubis (soprano), Emanuele D'Aguanno (tenor), Giorgio Caoduro (baritone), Krystian Adam (tenor), Dilyara Idrisova (soprano), Francesca Lombardi Mazzulli (soprano), Furio Zanasi (baritone)
Werner Ehrhardt

Composers

Salieri, Antonio (1750-1825)

Works

Salieri: La Fiera di Venezia
Publication date: 2019-09-20
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190759364222

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
Composers

Hasse, Johann Adolph (1699-1783)

Works

Hasse, J A: Cello Sonata in C Major
Hasse, J A: Clori mio ben
Hasse, J A: Della noiosa estate
Hasse, J A: Dite almeno
Hasse, J A: Harpsichord Sonata in G Major
Hasse, J A: Pallido il volto
Hasse, J A: Perché leggiadra Irene
Hasse, J A: Sonata for Flute and Basso Continuo in D Minor, Op. 1 No. 11
Publication date: 2019-08-16
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190758516325

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
L'arte del mondo
Werner Ehrhardt

Composers

Zimmermann, Anton (1741-81)
Works

Zimmermann, A: Sinfonia in C major
Zimmermann, A: Symphony in B flat
Zimmermann, A: Symphony in E minor
Publication date: 2018-08-31
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889854418526

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
L'arte del mundo, Werner Ehrhardt

Composers

Ordonez, Karl von (1734-86)

Works

Ordonez: Symphony in B flat, Brown I:B2
Ordonez: Symphony in C major, Brown I:C13
Ordonez: Symphony in D major, Brown I:D 5
Ordonez: Symphony in F minor, Brown I:F12
Publication date: 2017-08-25
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888750561725

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 195
Publication date: 2016-03-04
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888751412026

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
Baroque music inspired by birdsong - soprano Dorothee Mields and recorder player Stefan Temmingh present a selection of magnificent and virtuoso works which not only imitate bird calls but very often also refer to the theme of love: from the nightingale to the goldfinch and from the cuckoo to hens, doves and various other birds.

Composers

Arne, Thomas (1710-78)
Bartlet, John (fl.1606, d.1610)
Couperin, François (1668-1733)
Daquin, Louis-Claude (1694-1772)
Fedeli, Giuseppe (1680-1733)
Handel, George Frideric (1685-1759)
Keiser, Rheinhard (1674-1739)
Monteclair, Michel Pignolet de (1667-1737)
Poglietti, Alessandro (mid 17th c.-1683)
Quignard
Rameau, Jean Philippe (1683-1764)
Torri, Pietro (1650-1737)
Vivaldi, Antonio (1678-1741)
Works

anon.: The three ravens
anon.: This Merry Pleasant Spring
Arne: Cuckoo Song from 'As You Like It'
Bartlet: Sweete birdes deprive us never
Daquin: Le Coucou
Fedeli, G: Warbling the birds enjoy
Handel: Augeletti che cantate (from Rinaldo)
Handel: L'Allegro, Il Penseroso ed Il Moderato: Sweet Bird
Keiser: Du angenehme Nachtigall
Monteclair: Les Tourterelles
Poglietti: Imitatione del Medesimo Uccello
Poglietti: Rossignolo
Rameau: La poule
Torri: Son rosignolo
Vivaldi: Flute Concerto, Op. 10 No. 3 in D major, RV 428 'Il gardellino'
Publication date: 2016-02-26
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888750839725

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
Bruno Delepelaire (cello), Jacques Zoon (flute)
Berliner Barock Solisten, Reinhard Goebel

Very few ensembles specializing in early music can display a level of artistic mastery akin to that of the Berliner Barock Solisten. Founded in 1995 by Rainer Kussmaul and other prominent members of the prestigious Berliner Philharmoniker, the musicians and their director (as first among equals) have created a unique approach to performing works of the 17th and 18th centuries. The “Berlin Baroque Soloists” not only do justice to their name (each musician is a master soloist), they also play on historic, though modernized, instruments, using bows from various periods, depending on the work being performed. This flexibility, along with the homogeneity with which the ensemble plays and the presence of leading soloists from the “early music scene” within its ranks, is virtually unparalleled internationally. With historical discernment, the old is treated to a fresh hearing, to fresh thinking. The result is a modern interpretation, but without “modernization”. This brand new album recorded in the Philharmonie Berlin's 'Große Saal' is the second in the series of C.P.E. Bach albums from the Berliner Barock Solisten, and presents two of the composer's symphonies and two concertos. Carl Philipp Emanuel Bach was the fifth child and second (surviving) son of the famous Johann Sebastian Bach. C. P. E. Bach was an influential composer in his own right, working at a time of transition between his father's baroque style and the classical and romantic styles that followed it. His personal approach, an expressive and often turbulent one known as empfindsamer Stil or 'sensitive style', and his music has an abiding quality so untypical of the 18th century in that it is “good, original and shockingly modern. [Reinhard Goebel - Berliner Barock Solisten]”.

Composers

Bach, Carl Philipp Emanuel (1714-88)

Works

Bach, C P E: Cello Concerto No. 2 in B flat major, Wq. 171 (H436)
Bach, C P E: Flute Concerto in G major, Wq. 169 (H445)
Bach, C P E: Sinfonia in G major, Wq. 182/1 (H657)
Bach, C P E: Symphony in E flat major, Wq. 179 (H654)
Publication date: 2015-11-27
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886979113824

Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 195
L'Orfeo Barockorchester, Michi Gaigg

Composers

Schubert, Franz Peter (1797-1828)

Works

Schubert: Overture D 556 in D major
Schubert: Overture D 590 in D major 'in the Italian style'
Schubert: Overture D 591 in C major 'in the Italian style'
Schubert: Overture D 648 in E minor
Schubert: Overture in B flat major, D470
Schubert: Symphony No. 5 in B flat major, D485
Publication date: 2012-06-15

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